Pulp Rhythms

Whatever happened to drum 'n' bass?

Earlier in the new millennium it was all anyone remotely interested in dance music could speak about, and double bass-driven rhythmic exploits from the likes of Roni Size's Reprazent scooped critical acclaim and awards including the coveted Mercury Prize. Then the minimal and mechanical techstep animals of Ed Rush, Andy C and co. took over the farm and ruined all the fun...

I have acquaintances who still think the form is alive and kickin' and it still sells by the truckload in the UK, but every time I've been on a drum 'n' bass floor in past six or seven years, I've been bored beyond belief.

The one exception was when Hospital Records' Tony Colman (aka London Elektricity) played a storming set, high in melodic hijinx and variety, to a near empty club in Johannesburg in 2003. That a DJ who exemplifies how wide-ranging, colourful and complex drum 'n' bass can be was ignored by the so-called 'heads' spoke volumes. I haven't bought a drum 'n' bass track since.

But I still love listening to the often magical rhythmic escapades that were ubiquitous when drum 'n' bass at its peak - "Brown Paper Bag", "Pulp Fiction", London Elektricity's 'Pull The Plug' album - and when I received a request recently for soundtrack-ready music that was Tarantino-esque, sleek and swift, I realised how cinematic, soulful and noir a lot of the best drum 'n' bass is.

I sent these classics on and thought I'd share them here too - if anyone can recommend newer drum 'n' bass that's anywhere near as compelling, please post them in the comments section.

Alex Reece - Pulp Fiction
EZ Rollers - Walk This Land (Vinyl rip)
London Elektricity - Pull The Plug
Roni Size - Hi-Potent

Get Simon Reynolds' thoughts on jungle and drum 'n' bass and how they figure in his 'hardcore continuum' - as well as their relationship with garage, grime, dubstep and funky - in a long but revealing talk hosted by FACT in association with the Wire Magazine HERE.